Often I wonder if there is a way to predict and bring about- through preparation- a successful performance. But the older I get the more I feel it’s not possible. Why? Well, tell me truthfully whether you have had one of these experiences: 1. You were well rehearsed but played worse than you usually do2. You were well rehearsed but not spontaneous3. You didn’t practice at all and played great4. You did a lot of practicing and played very well and felt practicing paid off.5. You were not prepared at all and played like shit6. You were really looking forward to playing but then it was a disaster7. You were…
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Jaco Pastorius
In my early years, I got heavy doses of Jimmy Raney, Bill Evans, Bob Brookmeyer, Cannonball Adderly, Pat Martino, Stan Getz and whatever records my brother Doug inherited from Dad. Doug put many albums on reel to reel tapes (the mp3s of yesteryear in terms of packin’ your favorites on one unit). Plus I heard my brother making recordings, jamming with himself and transcribing solos by Dad, Charlie Parker and Sonny Stitt. Sometimes half speed. When my brother left for Europe, that’s pretty much where my head was at in high school. I listened to the same records and it was all great but very traditional stuff. I would wear…
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The woes of clutter, the wolves of Ebay and the great Dane. (Part 2)
So continuing on with the story… As mentioned, it was quite upsetting to see all these things I grew up all of the sudden up for sale at the world’s larget online auction entity, Ebay. Attached are some of the details I was receiving from DJ, Joe Bourne in regards to the items being sold on Ebay: Summary This is a 12 by 11 1/2 inch photo album from the estate of Jimmy Raney, the renowned jazz guitarist. It contains 82 photographs, some color but most black and white, that were taken from birth to Raney’s senior years. It includes large pictures of some of the bands and groups he…
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Workin by Day, Bloggin by Night. Workin Day and Night Bloggin by…oops
I guess there’s no way around the 24 hour day, unless human habitation on Mars is a closer reality than believed. Many of us in the blogosphere lead double lives. I’m no exception. I had many good years to myself to develop as an artist. I’d like to say between 1981 to about 1986 or so I was able to lead a bohemian lifestyle practicing for hours on end after school and my little part time jobs, eating Cheerios for breakfast, lunch and dinner. But by 1995-1996 I was feeling the pull of responsibility and that strange double edged comfort called the steady paycheck. Both of my parents passed away…
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How Did I Become A Living Legend? By Jimmy Raney
A few days ago I began to wonder how I had become a Living Legend. It has happened in the last few years. Before that I was an Old Master. I’m not sure what a Living Legend is. I’ve also become an Elder Statesman. I don’t know what that is either. I don’t do much anymore, so I think about these things. That last sentence is a good example of what a Living Legend does. When I first became an Old Master, it worried me. I knew it meant the end was in sight, but I didn’t know what to do about it. I know who’s behind it though; it’s…
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Alien vs. Predator: (Aka: Finale vs Sibelius…)
Finale’s layout and program logic can border on the extra-terrestrial, at least for me. Most of the musicians I know who have settled into Finale use have been set-up by other power users from across the great layman/expert divide. How do power users get this way? Not sure, but they would likely become engineers and understand Fortran if confronted with it, I’m sure. My friend and Finale expert, bassist Tom Hubbard is an example of this. He knows everything about everything. Just one of those type of guys. We did a barter agreement where I taught him some piano and harmony and he taught me Finale. I think he got…
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Jimmy Raney Birthday Bonus: NPR Jimmy Raney Memorial show
A tape of the following NPR 1995 broadcast was sent to me by guitarist, Jim Hall. He was interviewed via phone just after the death of Jimmy Raney in 1995. This was originally aired June 4, 1995 by National Public Radio (NPR) and several of Jim Hall’s phone comments were aired. The host of the feature is Tom Cole. Again this short broadcast about Jimmy Raney really spotlights how he was not truly appreciated for his major contribution to the legacy of Jazz guitar and jazz in general as evidenced by the commentary. It’s very poignant and makes me a little sad when I listen to it–for many reasons. But…